The Impact of Intellectual Tributaries in Shaping the Poetic Image of Ibn Haddad of Al-Andalusi

Abstract

Abstract

The interaction between the creative and his culture that accumulates over the years of his various life experience is very clear because the most original creatives are those whose artistic composition is of a cumulative nature. In other words, the creative poet draws his images from a set of cognitive tributaries that reveal his ability to evoke those sources in moments of personal emotion, as well as organize and influence the recipient. Thus, it reflects the interaction between the creatives and the accumulation of knowledge and culture throughout different stages of their lives.

Since poetry is a linguistic art and a crafted image formed from language, which is a set of structural relationships that constitute the imaginative powers of the poem. Thereby, the image becomes a creative process that draws its elements from the culture of the creative and is framed by diverse imagination visions. Therefore, after deep reading of Ibn Al-Haddad’s collection, it is observed that a group of important intellectual tributaries from which Ibn Al-Haddad drew his images, and which had an obvious impact on the formation of these images, and among those tributaries are:

1- The Religious Tributary.

2- The Literary Tributary.

3- The Historical Tributary.

4- Social Tributary.

5- The Scientific Tributary.

Keywords: Andalusian Poet Ibn Haddad, Ibn Haddad Al-Andalusi, Poetic Image, Intellectual Tributaries.